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<channel><generator>iloblog 1.0</generator><title>Welcome to a new version of JMM! Feed</title><link>http://jmm.musicandmeaning.net/</link><description>In order to facilitate a smoother editing and publishing process, &lt;i&gt;JMM: The Journal of Music and Meaning&lt;/i&gt; has adopted a blog structure - or, rather, a structure of blogs: Each new issue will constitute a blog of its own, such that &lt;i&gt;JMM&lt;/i&gt; vol.x will have the URL jmmx.musicandmeaning.net. New issues are announced on this page (jmm.musicandmeaning.net)</description><item><title>JMM10, Summer 2011</title><link>http://iloapp.musicandmeaning.net/blog/jmm?Home&amp;post=15</link><description><![CDATA[ We are pleased to announce that the website for  JMM 10, the 10th issue of  JMM: The Journal of Music and Meaning  is now online at  jmm10.musicandmeaning.net     This is the first issue to implement the previously announced 'rolling publication' policy: New entries will be added to the issue as they become ready for publication, until the next issue website is launched.  A table of contents for  JMM 10 will be posted here, once the issue is complete. 
 ]]></description><pubDate>Wed, 20 Jul 2011 15:26:39 +0200</pubDate><category>Issues</category></item><item><title>JMM9, Winter 2010</title><link>http://iloapp.musicandmeaning.net/blog/jmm?Home&amp;post=14</link><description><![CDATA[ It is with pleasure that we can announce the release of  JMM 9, the 9th issue of  JMM: The Journal of Music and Meaning .    Read the new issue at  jmm9.musicandmeaning.net   We recommend that you start by reading the  Editorial  of this issue, as this text introduces the new format of  JMM  and explains several of the new functionalities.     Table of Contents:    Editorial     Peer-Reviewed Papers    Niels Chr. Hansen, "Luciano Berio’s    Sequenza V    Analyzed along the Lines of Four Analytical Dimensions Proposed by the Composer"    Douglas C. Wadle, "Meaningful Scribbles: An Approach to Textual Analysis of Unconventional Musical Notations"    Adam Stansbie, "Through Thick and Thin: The Ontology of Tape Music"    Research Reports    Felipe Otondo, "Rediscovering Artaud's Sonic Order"    Book Reviews    David Hebert, "Why Recorded Music Matters: A Review Essay" - review of   Amanda Bayley's    Recorded Music: Performance, Culture and Technology    (Cambridge University Press, 2010)     Recent Publications   
 ]]></description><pubDate>Sun, 16 Jan 2011 16:57:55 +0100</pubDate><category>Issues</category></item><item><title>Editorial Board</title><link>http://iloapp.musicandmeaning.net/blog/jmm?Home&amp;post=13</link><description><![CDATA[   Editor-in-Chief   Associate Professor, fil.dr. Cynthia M. Grund, Institute for Philosophy, Education and the Study of Religions, University of Southern Denmark at Odense, Denmark.   Managing Editor   PhD Søren R. Frimodt-Møller, Institute for Philosophy, Education and the Study of Religions, University of Southern Denmark at Odense, Denmark.      Associate Editors   Professor, dr.scient. Jens Arnspang, Department of Computer Science and Engineering, University of Aalborg at Esbjerg, Denmark;  David Bainbridge, PhD, Department of Computer Science, University of Waikato, New Zealand;  Senior Researcher, Dr.rer.nat Stephan Baumann, German Research Center for AI, Computational Culture Lab, Germany;  Professor, Dr. Jean Paul van Bendegem, Centre for Logic and Philosophy of Science, Vrije Universiteit Brussel, Belgium;  Associate Professor, cand.mag. Lars Ole Bonde, Department of Music and Music Therapy, University of Aalborg, Denmark;  Professor, dr.phil, Per Aage Brandt, Emile B. de Sauzé Professor of Modern Languages and Professor in Cognitive Sciences, Department of Modern Languages and Literatures, Case Western Reserve University, Cleveland, Ohio;  Assistant Professor, PhD Elaine Chew, Epstein Department of Industrial and Systems Engineering, Integrated Media Systems Center, Viterbi School of Engineering, University of Southern California, Los Angeles, USA;  Professeur Jean-Marc Chouvel, University of Reims, Centre de Recherche Langages Musicaux, University of Paris IV Sorbonne, France;  Associate Professor, PhD Jacob Christensen-Dalsgaard, Department of Biology, University of Southern Denmark at Odense, Denmark;  Associate Professor, PhD David Clowney, Philosophy, Temple University, Philadelphia, Pennsylvania, USA;  Research Fellow, Lutenist, Tim Crawford, Centre for Computation, Cognition and Culture, Goldsmiths College, University of London, UK;  Senior Lecturer, PhD, Sally Jo Cunningham, Department of Computer Science, University of Waikato, New Zealand;  Associate Research Professor of Computer Science and Art, PhD, Roger B. Dannenberg, Carnegie Mellon University, Pittsburgh, Pennsylvania, USA;  Assistant Professor, PhD, J. Stephen Downie, The Graduate School of Library and Information Science, University of Illinois at Urbana-Champaign, USA;  Senior Lecturer, PhD Barry Eaglestone, Department of Information Studies, University of Sheffield, UK;  Professor, PhD Catherine Z. Elgin, Professor of the Philosophy of Education, Graduate Scool of Education, Harvard University, Cambridge, Massachussetts, USA;  Michael Fingerhut, Director, Multimedia Library and Engineering Bureau, Ircam – Centre Pompidou, Paris, France;  Assistant Professor, PhD, Ichiro Fujinaga, Faculty of Music, McGill University, Montreal, Canada;  Professor, Dr. Art. Rolf Inge Godøy, Department of Music and Theatre, University of Oslo, Norway;  Professor, PhD Theodore Gracyk, Professor of Philosophy and Department Chair, Minnesota State University Moorhead, USA;  Professor, PhD Gary L. Hagberg, Chair of Philosophy, University of East Anglia, UK;  Professor, PhD Robert S. Hatten, Department of Music Theory, Indiana University, USA;  Professor of Music, PhD David Hebert, Grieg Academy, Bergen University College, Norway;  Associate Professor, PhD Katherine O’Doherty Jensen, Department of Human Nutrition, The Royal Veterinary and Agricultural University, Denmark;  Associate Professor Kristoffer Jensen, Department of Medialogy, Aalborg University Esbjerg, Denmark;  Associate Professor, dr.phil. Søren Harnow Klausen, Department of Philosophy, Institute for Philosophy and Religious Studies, University of Southern Denmark at Odense, Denmark;  Professor, PhD Michael Krausz, Milton C. Nahm Professor in the Department of Philosophy, Bryn Mawr College, USA;  Director of Research, Dr. Richard Kronland-Martinet, Laboratoire de Mécanique et d’Acoustique (LMA), CNRS – Centre National de la Recherche Scientfique, Marseille, France;  PhD Ole Kühl, postdoc., Department Musicology, University of Oslo, Norway;  Professor, Dr. Marc Leman, Institute for Psychoacoustics and Electronic Music – Systematic Musicology, Department of Musicology, University of Gent, Belgium;  Professor, PhD Jerrold Levinson, Department of Philosophy, University of Maryland, USA;  Dr. Stephen Malloch, Macarthur Auditory Research Centre Sydney, Communicative Musicality Laboratory, University of Western Sydney, Australia;  Lecturer in Music, PhD Nicholas McKay, Head of Music, Department of Music, School of Humanities, University of Sussex, Brighton, UK;  Professeur Nicolas Meeùs, Music Faculty (Unité de Formation et de Recherche de Musique et Musicologie) University of Paris Sorbonne, France;  Professeur Costin Miereanu,Université Paris 1 – Panthéon-Sorbonne, Director of the IDEAC (Institut d’Esthétique des Arts Contmporains, UMR 8592 du CNRS), Paris, France;  Adjunct Research Fellow, Nigel Nettheim, PhD (Musicology), PhD (Mathematical Statistics), MARCS Auditory Laboratories, University of Western Sydney,Australia;  Director, Dr. Kia Ng, Interdisciplinary Centre for Scientific Research in Music (ICSRiM), University of Leeds, School of Computing &amp; School of Music, England;  Professor, dr.pæd. Frede V. Nielsen, Institute for Curriculum Research, Danish University of Education, Denmark;  Dr.phil., Dipl.Math. Thomas Noll, Technical University of Berlin, Institute for Telecommunication Systems, Germany/Escola Superior de Musica di Catalunya, Spain;  Dr. François Pachet, Director of Research, Sony Computer Science Laboratories-Paris, France;  Associate Professor, ph.d. Nils Holger Petersen, Institute for Church History, Faculty of Theology, University of Copenhagen, Denmark;  Associate Professor Christopher Raphael, PhD, School of Informatics, Indiana University, Bloomington, Indiana, USA;  Professor Emeritus, PhD Lewis Rowell, PhD, School of Music, Indiana University, Bloomington, Indiana USA;  Lecturer in Philosophy and Popular Culture, PhD Joel Rudinow, Santa Rosa Junior College, California, USA;  Professor, dr.phil. Lars Ole Sauerberg, Department of English, University of Southern Denmark at Odense, Denmark;  Associate Professor, ph.d. Johanna Seibt, Department of Philosophy, University of Aarhus, Denmark;  Professor of Music, PhD Michael Spitzer, School of Music, Liverpool University, UK;  Professor, PhD Eero Tarasti, Department of Musicology, University of Helsinki, Finland;  Professor Emeritus, dr.med. et cand.psych. Alice Theilgaard, Faculty of Health Sciences, University of Copenhagen, Denmark and Psychiatric Department, Rigshospitalet, Denmark;  Professor, Dr. Colwyn Trevarthen, Department of Psychology, University of Edinburgh, Scotland;  Lecturer in Music, PhD Edward Venn, Music Department, Lancaster University, UK;  Professor, DMA, Pianist William Westney, Paul Whitfield Horn Distinguished Professor and Browning Artist-in-Residence, Texas Tech University, Lubbock, Texas, USA;  Researcher, dr.ing. Sølvi Ystad, Laboratoire de Mécanique et d’Acoustique (LMA), CNRS – Centre National de la Recherche Scientfique, Marseille, France;  Lecturer in Music, Gender and Culture, PhD Edith Zack, Department of Music, Bar-Ilan University, Israel;  PhD Sara Zamir, head of concert office, lecturer, Department of Music and Department of Comparative Literature, Bar-Ilan University, Israel;  Associate Professor, PhD Lawrence M. Zbikowski, Department of Music, University of Chicago, USA. 
 ]]></description><pubDate>Tue, 21 Dec 2010 11:25:30 +0100</pubDate><category>About JMM</category></item><item><title>The New Forum</title><link>http://iloapp.musicandmeaning.net/blog/jmm?Home&amp;post=12</link><description><![CDATA[ The new forum can be found  here . If you are a former user of the old forum, you will need to enroll again. Write to forum@musicandmeaning.net to request an invitation to join the new forum.   Important note: username and password for forum.musicandmeaning.net will    not    grant you access for other subdomains such as jmm.musicandmeaning.net, jmm9.musicandmeaning.net etc.   The login option on these pages is for Editorial Staff only.   If you want to post a comment on an article, post it under the commentary category in the forum, and we will make sure to make a quick link to your comment right under the blog entry regarding the article in question. 
 ]]></description><pubDate>Fri, 17 Dec 2010 21:59:11 +0100</pubDate><category>Forum</category></item><item><title>The Old Forum</title><link>http://iloapp.musicandmeaning.net/blog/jmm?Home&amp;post=11</link><description><![CDATA[ The old forum can still be seen  here . We do, however, encourage you to use  the new forum  for future posts. See the post headlined "The New Forum" for more information.  
 ]]></description><pubDate>Fri, 17 Dec 2010 21:52:49 +0100</pubDate><category>Forum</category></item><item><title>Editorial Staff</title><link>http://iloapp.musicandmeaning.net/blog/jmm?Home&amp;post=10</link><description><![CDATA[  Editor-in-Chief, Associate Professor, fil.dr. Cynthia M. Grund, Institute for Philosophy, Education and the Study of Religions, University of Southern Denmark at Odense, Denmark;  Managing Editor and Main Webmaster, PhD Søren R. Frimodt-Møller, Institute for Philosophy, Education and the Study of Religions, University of Southern Denmark at Odense, Denmark;  Recent Publications and Book Review Editor, PhD fellow, Cand.mag. Jens Hjortkjær, Department of Musicology, University of Copenhagen, Denmark;  Editorial Assistant, mag.art. Jens Eichler Lorenzen, Institute of Literature, Media and Culture Studies, University of Southern Denmark, Denmark;  Forum Moderator, mag.art. Søren Arani Mortensen, Institute for Philosophy, Education and the Study of Religions, University of Southern Denmark at Odense, Denmark;  Forum Moderator, stud.mag.art. Daniel Frandsen, Institute for Philosophy, Education and the Study of Religions, University of Southern Denmark at Odense, Denmark;  Website Consultant, Associate Professor, PhD Mikael Aktor, Institute for Philosophy, Education and the Study of Religions, University of Southern Denmark at Odense, Denmark;     Associate Editor, Professor of Music (from mid-2011), PhD David Hebert, Grieg Academy, Bergen University College, Norway.  Associate Editor, Lecturer in Music, PhD Nicholas McKay, Head of Music, Department of Music, School of Humanities, University of Sussex, Brighton, UK;  Associate Editor, Lecturer in Music, PhD, Edward Venn, Music Department, Lancaster University, UK.     Write the editorial staff at info@musicandmeaning.net      Alumni   Original Managing Editor: PhD fellow, M.Sc. Kasper Eskelund, Department of Psychology, University of Copenhagen.  Graphic design of the original website by Kasper Eskelund and Jens Hjortkjær.  Original Web Production / Webmaster Mikael Aktor.    
 ]]></description><pubDate>Fri, 17 Dec 2010 21:49:10 +0100</pubDate><category>About JMM</category></item><item><title>New Guidelines for Submission</title><link>http://iloapp.musicandmeaning.net/blog/jmm?Home&amp;post=9</link><description><![CDATA[ Articles, essays and research reports must be sent to submission@musicandmeaning.net If you want to review a book for us, please contact us first at info@musicandmeaning.net before sending us anything.  As opposed to the original format of  JMM , the new blog-based issues will only feature articles in pdf-format. From  JMM 10 and onwards, we are making the entire formatting of a paper the full responsibility of the author(s). Should your material be accepted for publication, it will be your responsibility to ensure that the finished, (possibly) revised article is camera-ready.  When you submit material for  JMM , you must  1) Send two versions: One as a Microsoft Word document (or compatible format) facilitating easy proofreading, and one as a pdf-document, including all figures and illustrations, and, if possible, any audio or video examples you may utilize. Should you have problems integrating audio and video in your pdf-document, we will be able to help you with this, if you send us the relevant files separately.  If you are submitting a paper for peer-review, please anonymize both versions of your document, such that the identities of yourself and your co-authors (if any) are not stated anywhere.  2) Adhere to the general style of  JMM 's articles. See a sample paper here:  pdf-version   Microsoft Word version   3) Write in English of a publishable quality. For non-native speakers of English, we require that submitted articles (whether for peer-review or intended for our essay or research report sections) have been proofread by a native speaker of English with familiarity of academic discourse. Except for material written by U.K. residents, we only accept texts that follow  APA formatting .  4) Include a short abstract (approx. 1500 characters) for use in the blog post regarding your article. You must also include a short biographical note on the author(s), not exceeding 1000 characters per author. The former requirement does not apply to book reviews.  Papers submitted for peer-review will be evaluated by two anonymous referees either from our Editorial Board or from other researchers in our network.    
 ]]></description><pubDate>Wed, 15 Dec 2010 19:30:53 +0100</pubDate><category>Guidelines for Submission</category></item><item><title>Editorial Profile</title><link>http://iloapp.musicandmeaning.net/blog/jmm?Home&amp;post=8</link><description><![CDATA[   JMM: The Journal of Music and Meaning  is an on-line peer-reviewed journal for multidisciplinary research on music and meaning. The editorial profile of JMM accommodates an inclusive plurality of methods and disciplines and welcomes contributions from a variety of fields, such as: philosophy, mathematics, physics, musicology, medicine, acoustics, neurology, theology, literary studies, philosophy of science, music pedagogy, computer science, semiotics, sociology, linguistics, religious studies, anthropology, psychology, biology, education studies, music therapy, culture studies, etc.  JMM aims to bridge the gap between various studies in meaning and signification and areas of research in music. JMM especially encourages any multidisciplinary research on meaning that is able to challenge conceptions of music, or research that explores the notion of meaning by the study of musical phenomena.   Papers submitted for peer-review are refereed anonymously in a double-blind manner by members of our Editorial Board as well as other researchers recommended to us by our Associate Editors. The Editorial Board is composed of members whose areas of expertise reflects the journal's multidisciplinary editorial profile.   JMM: The Journal of Music and Meaning  is formally published semiannually, but with the present format, issues will in the future be released one article at a time over a period corresponding to the former interval between two issues.   JMM  accepts - in addition to articles for peer-review - essays, reviews ands commentaries. Essays, reviews and commentaries are reviewed by the Editorial Staff and are published upon its approval. The  JMM  site furthermore provides an on-line forum for discussion of music and meaning. J MM  welcomes anyone to contribute to ongoing discussions or to raise new issues in the  JMM  forum.  J MM: The Journal of Music and Meaning  is published from the Institute of Philosophy, Education and the Study of Religions, University of Southern Denmark at Odense, Denmark.   JMM  is graciously funded by the The Danish Council for Independent Research | Humanities ( Det Frie Forskningsråd | Kultur og Kommunikation ). 
 ]]></description><pubDate>Wed, 15 Dec 2010 18:14:32 +0100</pubDate><category>About JMM</category></item><item><title>JMM8, Winter 2009</title><link>http://iloapp.musicandmeaning.net/blog/jmm?Home&amp;post=7</link><description><![CDATA[  Table of Contents:    Editorial     Peer-Reviewed Papers    Mariana Julieta Lopez &amp; Sandra Pauletto, “The Design of an Audio Film: Portraying Story, Action and Interaction through Sound”    Birgitte Stougaard Pedersen, “Anticipation and Delay as Micro-Rhythm and Gesture in Hip Hop Aesthetics”    Research Reports    Soubhik Chakraborty, Rayalla Ranganayakulu, Shivee Chauhan, Sandeep Singh Solanki &amp; Kartik Mahto, “A Statistical Analysis of Raga Ahir Bhairav”    Fredrik Søegaard &amp; Claus Gahrn, “Soundmapping the Genes”    Essays    Edward Green, “Haydn’s Secret ‘Dodecaphonic’ Art”     Recent Publications   
 ]]></description><pubDate>Wed, 15 Dec 2010 17:53:37 +0100</pubDate><category>Issues</category></item><item><title>JMM7, Fall/Winter 2008</title><link>http://iloapp.musicandmeaning.net/blog/jmm?Home&amp;post=6</link><description><![CDATA[  Table of Contents:    Editorial     Invited Papers    Javier Alejandro Garavaglia, “Music and Technology: What Impact Does Technology Have on the Dramaturgy of Music?”    Peer-Reviewed Papers    Per Aage Brandt, “Music and the Abstract Mind”    Runa Fanany, “The Musicality of Language: An Application of Musical Analysis to Speech and Writing”    Sara Zamir &amp; Juliette Hassine, “Reading Liszt's    Harmonies du Soir    Through the    Soleil Couchant    (Sunset) Theme in French Romantic Poetry”    Kenneth L. Wilson, Jason Adam Wasserman &amp; Florin Lowndes, “Saving Society from Instrumental Rationality: A Study of Mahler and Homeless Research in the Spirit of Adorno’s Critical Musicology”    Reviews and Commentaries    Emma Gallon, Review of: Halfyard, Janet, ed.,    Berio’s Sequenzas      Recent Publications      
 ]]></description><pubDate>Wed, 15 Dec 2010 17:50:43 +0100</pubDate><category>Issues</category></item></channel>
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